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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He later formed the innovative techno group The Grid, who secured chart success with their 1994 single Swamp Thing.

Ball died calmly in his rest at his residence in London on Wednesday 22 October, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, following a period of ill-health.

"I ended up injure myself quite a bit," he stated in 2023. "I fractured spinal bones in my spine and cracked about five ribs and fractured my arm."

Following catching a lung infection and suffering from sepsis, he was put in an medically-induced sleep and remained in the hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the summer, as he worked on a new album with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," said the singer in a tribute.
"It's so sad as next year was completely planned to be such an positive time for him, and I find comfort from the fact that he listened to the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my life and for the music you created with me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is different from being in a group, the bond is very tight," he continued.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly produced an EP.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a flamboyant showman, all glitter and eye-liner; but they attained a rare creative synergy.

Ball had cultivated a fascination with electronic instruments after watching the band Kraftwerk perform on a television program a popular series, and began to combine dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second most popular single of 1981, selling millions of copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Sudden riches allowed we could purchase substances to alleviate the boredom" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

Following a further break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, that year.

However, they remained active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the NYC nightlife they frequented while making their first two albums.

He added that his time in hospital had shaped the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the experiences me and Marc had in the 1980s."

The last versions were completed only days before Ball died. It is scheduled for launch in the spring of 2026.

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Ryan Gomez

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